Press
Functional pieces with plenty of flair
Story: Maureen Licata
Photos: Vince Klassen
Excerpt from an article in Boulevard Magazine, May/June 2001, Bay Publishing Limited.
Beauty and functionality rode tandem 32,000 years ago when prehistoric hunters scrawled woolly rhinoceroses and bison on the lumpy walls of France’s Chauvet Cave . . . Although scholars debate the rationale, it was undoubtedly one of humanity’s first cracks at art with a mission.
And the venerable concept, though now rejigged and revamped to suit 21st century sensibilities, is intact and thriving in Victoria. Opting for the unique and shunning “off the rack” sameness, locals are assigning handmade items to mundane tasks. And artists are adding a dollop of flair to the functionality. The result is art that performs to raves in either realm.
Her floorcloths, wall hangings and place mats have jazzed up a slew of homes in the area and far afield. Prior to opening her Oak Bay studio, the former Toronto-based marketing consultant and MBA recipient averted crises for her Fortune 500 clients. Since abandoning the pressure and the “buzz”, she directs her energy to transforming heavy artist canvas into handpainted, dirt and water resistant room accents.
Although low maintenance when finished, floorcloths are labour-intensive while in progress. Stretched and primed on both sides before a base coast is applied, the canvas then receives multiple layers of paint tinged with glaze. “This creates a more three-dimensional background for the design,” Gould says.
She enlivens the cloths with handmade stamps and stencils. Sometimes lines from the Talmud, Rumi or other memorable sources meander around the perimeter of the cloth. A mitered hem, varnish and a week of curing precede the presentation.
As colour conscious as Matisse, Gould “coordinates but doesn’t match” her clients’ interior tones. “I’m passionate about colour and it’s the starting point for all my work,” she says. “The clients and I develop a palette and the design flows from there.”
On one floorcloth, it looks as if stars had tumbled out of a clear, balmy night and settled, red hot, on a magic carpet. It echoes a nearby bedspread’s nocturnal scene. A golden background seems to promise the sun’s return. Gould’s own foyer hosts an indoor welcome mat. In the company of a searing magenta wall moderated by a sizzling yellow baseboard, Gould’s floor décor cools the fire with a primitive pattern of red circles and black u-shaped forms. Designed to be troopers, these creations don’t fear mud-clogged boots or Chianti spills.
And the cloths can be recruited for KP duty as well. Gould gives place mats the spinning treatment as blue helicopter wings twirl in a sky flecked with airborne dots. For another client, pears and leaves float in a verdant background on twin table runners. A lone pear hovers in the corner of complimentary yellow place mats. After metal artist Michael Mintern modeled a 10-seat dining set, Gould crafted a round center cloth and matching place mats that symbolically suggest Mintern’s marine themes…
For additional media information, visit the Debra Gould Online Media Room.